From New Scientist:
Thirty years ago Joe Davis, a peg-legged artist and motorcycle mechanic from Mississippi, walked into MIT’s Center for Advanced Visual Studies demanding to speak with the director. Forty-five minutes later - after trashing a receptionist’s desk and fending off the police - Davis left with a six-month academic appointment. It ultimately lasted more than a decade.
Davis reasons that bacteria engage in activity that produce audible frequencies but we don’t know what they sound like because no one has bothered to listen. He then invents a laser-powered optical microscope. Pointing his microscope at brine shrimp and paramecium he realizes you can easily tell them apart by the sounds they make, in the same way you could differentiate sheep from cows by listening to their vocalizations.So far so good, but who cares? In the next scene we find Davis demonstrating his optical microscope at an exhibition in Lisbon, Portugal. Only this time he has convinced a striking young woman to let him cover her in nothing but honey and gold dust - presumably for her own protection. Then he uses his optical microscope to project the sound of her heartbeat and respiration to a rapt audience...
In another sexually charged example of performance art Davis sets out to correct what he feels is a case of censorship in scientists’ efforts to communicate with extraterrestrials. He explains that researchers have sent images of an anatomically correct man into outer space but the image they sent of a woman lacked genitalia. To right this wrong, Davis transmitted the sound of vaginal contractions of ballet dancers to several nearby stars. The audio recording was beamed from MIT’s Millstone Hill radar for several minutes before the United States Air Force shut him down.
Apart from art bordering on the perverse, Davis has invented a bacterially-grown radio and a frog-leg powered airplane. He developed supercode, a silent or bio-chemically inert genetic code to embed Greek poetry into the DNA of white-eyed flies and the image of the Milky Way into the ear of a mouse.
New Scientist
So far so good, but who cares? In the next scene we find Davis demonstrating his optical microscope at an exhibition in Lisbon, Portugal. Only this time he has convinced a striking young woman to let him cover her in nothing but honey and gold dust - presumably for her own protection. Then he uses his optical microscope to project the sound of her heartbeat and respiration to a rapt audience...
A woman is suing P Diddy for $1 trillion (£635 billion). Valerie Joyce Wilson Turks, 31, has filed the suit in Los Angeles Superior Court against the rap mogul, his former girlfriend Kim Porter and Rodney King, the man who was a victim of assault by the Los Angeles Police in 1991.
For an institution that spends probably 80 per cent of its time merely repeating the phrases “human rights”, “democracy” and “the rule of law”, the Council of Europe does some surprisingly useful things. Its biggest headline-grabber was when it was the first body to officially confirm the Bush administration’s
The Council is well placed to ask difficult questions, possibly because of its lack of notoriety. I wouldn’t be surprised if some of the respondents to Paul Flynn MP’s
One particularly dependable source of conflict is the enduring hatred between neighbouring Armenia and Azerbaijan. Almost as soon as the two countries gained their independence from Russia after the Bolshevik revolution they went to war, which only properly subsided when both of them were absorbed into the new Soviet Union. The pilot light stayed lit, though, and at the first signs of the Soviet structure weakening in the late 1980s they were at it again. Azerbaijan maintains that at that point Armenia invaded and occupied several Azeri territories including Nagorno-Karabakh, while the Armenians contend they were liberating those regions’ Armenian populations. Tomayto, tomato. 




The trouble is that Freemasons have always enjoyed encoding messages, often in plain view (see picture), which stokes the paranoia of those inclined to see their machinations everywhere. But it’s one thing for the designers of the Great Seal to have had their fun—quite another for someone to reach conclusions like this:

He goes into hyperdrive when he starts talking about
Sticking closely to the conspiracy-nut formula, he’s contemptuous of those taking part in the election for being dupes who have no clue what’s actually going around them, referring to the process witheringly as the “Clown Show”. However, he ends rather plaintively: 
It was footage of Michael, standing, having an argument with Jodie, lying on her bed, with Chantelle (and Maggot) present. When Michael became fierce and animated, Jodie suddenly looked like she’d had enough and sat up. Michael was speaking loudly and very fast without pause or listening to Jodie, but Jodie filled the frame and we could see and hear anything she said. While Michael continued speaking quickly, Jodie sat up and said something like “Alright, alright... “ (as if “Alright, alright, take THIS!”) and she defiantly said just one word loud and clear—MY NAME! Michael didn’t seem to hear and carried on for a bit longer.
Younger people have no interest in politics, or authority, or even current affairs. Why should they have? Look how useless you all are. So take a look at popular culture. A couple of years ago, only one new movie in several openly referred to me in some way or other, but now it’s three in four openly referring to me in the title. Current movie releases are “Keeping Mum”, “House of Wax”, “Doom”, “Land of the Dead”, “The Brothers Grimm”, “It’s All Gone Pete Tong”, “The History Boys”, “Driving Lessons”, “Fade to Black”, “Revolver”. At the time of writing, three out of four new pop songs refer to me in the title. Oasis title their current album “Don’t Believe the Truth”, The Rolling Stones—“A Bigger Bang” [1], Coldplay—“X and Y” (X and why) [1], Robbie Williams—“Intensive Care”, the band U2—“How to Dismantle an Atomic Bomb” [1]. The list goes on and on and on. American bands are all starting to follow suit. Not only is it ridiculous that one person has had such an influence, but that this person is still a taboo subject.
Here are the basics of the theory of
He who speaks, preaches, teaches, condones 




Pillow fight. Grab her and point a silly toy phaser to her head and say, “Now you have to do whatever I want. You’re my prisoner.” Say, “I’m going to teach you how to dance. Come here.” If there’s a silly plastic Halloween knife (which you brought) on the coffee table then why not pick it up and say, “Hmm. This is a nice knife. (pause) Rrrrrrr! All the better to rape you with, Liz!” And hear her laugh and squeal.
He wanted to know how to handle “the consequences” of releasing this track. He wants to give away the royalties for the first five tracks on his album to charity. He said that he was “Walt Disney Music”. I asked him if that was his company name, sensing potential trouble if it was, and he replied “No! That's just WHO I AM. That's my CROWN. And NO-ONE can take that away.”
Then at the next stop there’s a bit of a hold-up, as a small black woman in her forties gets on and takes forever to hoist her two bags on to the baggage shelf. She’s twitching a lot and looking hunted—like a 40-year-old black female Tweek (see illustration). She shuffles along and takes the only free seat on the bus.