(no subject)
Jan. 5th, 2009 12:23 pm
“‘Onion, effrontery, fusebox’? What is this rubbish?”EDIT: Three seconds of research established that someone far more sensible has actually addressed this question. However, unless linguistics is your field of expertise you might find the article—from the author who brought you the bestselling On the Final Glottal Stop in Fuzhou—a little dry*, and you may find it more entertaining to continue to speculate facetiously.
“That can’t be right. I’m pretty sure I heard a ‘the’ in there.”
“Hmm, maybe. Or it could have been ‘badger’.”
* Example: “While relative pitch levels are, by and large, preserved in the songs, the same is not true of the tonal contours. The crucial factor involves tempo. In faster-paced songs, the tendency is for the tonal contours to be levelled out. This is accomplished by sacrificing the initial pitch rise when time is short. Thus, tone /13/ would be sung as simply mid, [33], and tone /35/ as simply high, [55].”